Hi folks,
I was wondering whether you could help me plan and set up a new, more portable rig. After years of experimenting with racks, processors, rack sized shelves and pedals I've decided to only use a smaller number of FX and keep things neat. That's why I've come up with setting up a pedalboard that would include the Mini Effects Gizmo and the Mini Line mixer. The MEG would be my audio switcher and on it I will have a Rotovibe, a Compressor pedal and a Chorus pedal, all connected in series. My delay, an Eventide Time Factor will be connected in parallel through my amp's FX loop and in a Line Mixer (the Mini Line Mixer). All these would be connected via MIDI as well as the amp which is also MIDI controllable and would be programmed and controlled by a GC PRO. What I would like from you guys is some input as to what my connections would be if I want to make this happen. The reason for using the Time Factor in parallel through a Line Mixer is to control how wet my signal is and also to keep my dry tone intact. Another concern of mine is how all these devices would be daisy chained by MIDI cables (amp, MEG, Line Mixer and Time Factor) Ideally I would be able to control the amp's channels and features (when applicable), the pedal itself (Time Factor's presets) presets from MEG etc. I would be more than grateful for any input!
Euripides
I was wondering whether you could help me plan and set up a new, more portable rig. After years of experimenting with racks, processors, rack sized shelves and pedals I've decided to only use a smaller number of FX and keep things neat. That's why I've come up with setting up a pedalboard that would include the Mini Effects Gizmo and the Mini Line mixer. The MEG would be my audio switcher and on it I will have a Rotovibe, a Compressor pedal and a Chorus pedal, all connected in series. My delay, an Eventide Time Factor will be connected in parallel through my amp's FX loop and in a Line Mixer (the Mini Line Mixer). All these would be connected via MIDI as well as the amp which is also MIDI controllable and would be programmed and controlled by a GC PRO. What I would like from you guys is some input as to what my connections would be if I want to make this happen. The reason for using the Time Factor in parallel through a Line Mixer is to control how wet my signal is and also to keep my dry tone intact. Another concern of mine is how all these devices would be daisy chained by MIDI cables (amp, MEG, Line Mixer and Time Factor) Ideally I would be able to control the amp's channels and features (when applicable), the pedal itself (Time Factor's presets) presets from MEG etc. I would be more than grateful for any input!
Euripides